31 to 37 of 37 Results
Bender, K., 2018, "The Venus of the Low Countries (Catalogue Vol. 3.1)", https://doi.org/10.11588/data/RXGOER, heiDATA, V1
Compilation of 2636 artworks (sculptures, reliefs, paintings, frescoes, drawings, prints and illustrations) of 728 identified artists of the Low Countries, from the Middle Ages to Modern Times. With an Index of Artists, a Directory of Owners and an extensive Bibliography. 202 pp. |
Bender, K., 2018, "The French Venus (Catalogue Vol. 2.1)", https://doi.org/10.11588/data/N64ZX4, heiDATA, V1
The topical catalogue 'The French Venus'in the series 'The Iconography of Venus from the Middle Ages to Modern Times' lists 2997 artworks (sculptures, reliefs, paintings, frescos, drawings, prints and illustrations) of 977 identified French artists. The date of creation, artist's... |
Bender, K., 2018, "The Italian Venus revisited (Catalogue Vol. 1.2)", https://doi.org/10.11588/data/5ZH1G4, heiDATA, V1, UNF:6:YFa81BFZ1Yf15oGhH0td4w== [fileUNF]
Topical catalogue of 6,985 artworks (sculptures, reliefs, paintings, frescoes, drawings, prints and illustrations) of 1,876 identified Italian artists and their repetitions. Categorized under 18 main Topics, with an Index of Artists and a list of Information Resources, including... |
The data and image collection of more than 20,000 artworks is a resource for quantitative analysis, including macro-analysis and distant viewing, of the iconography of Aphrodite - Venus from the Middle Ages to Modern Times. Seven CSV files from the original DBMS and six Topical C... |
Lincoln, Matthew D., 2016, "Social Network Centralization Dynamics in Print Production in the Low Countries, 1550-1750", https://doi.org/10.11588/data/10071, heiDATA, V2
Data on prints held by the Rijksmuseum and the British Museum, with derived network analysis data and visualization code. |
Data archive for the Journal for Digital Art History |
De la Rosa, Javier; Suárez, Juan-Luis, 2015, "A Quantitative Approach to Beauty [Dataset]", https://doi.org/10.11588/data/10057, heiDATA, V1
The purpose of the the data collection was to determine the shape of the change in beauty in depicted faces over time. The dataset is comprised by almost 120,000 paintings from different times and styles. |
